Merello.-"Niña con pamela oriental."
MODERN ART.
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Spanish Art. Modern Spanish Artists. Spanish Painters from
Spain- José Manuel Merello.
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Merello.-"Don Quijote de La Mancha alucinado" /100x81 cm) Mixed
media on canvas.
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Merello.-"Andalusian girl." (73x54 cm) Mixed media on canvas. MODERN ART. MODERN PAINTING. CONTEMPORARY ART and ARTISTS. INVESTMENT. |
Merello.-"Blue Spanish woman." (100x81 cm) Mixed media on canvas. MODERN ART. MODERN PAINTING. CONTEMPORARY ART and ARTISTS. INVESTMENT.
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Merello.-"Fantasia" (97 x 130 cm). Mixed media on canvas.
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ARTISTS. INVESTMENT.
Merello.
"Las Tres Amigas" (114x146cm). Mixed media on canvas.
MODERN ART. MODERN PAINTING. CONTEMPORARY ART and
ARTISTS. INVESTMENT.
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21st Modern Art Painting. | 21st Modern Art Painting. | |
Modern Art. Modern Artists Painting and Modern Drawings. Contemporary Art Painting. | www.merello.com | |
21st Modern Art Painting. | 21st Modern Art Painting. | |
Modern Art. Modern Artists Painting and Modern Drawings. Contemporary Art Painting. | Modern Drawings. Contemporary Art Painting. | |
21st Contemporary Art Painting. | 2 21st Contemporary Art Painting. 1st Contemporary Art Painting. |
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Merello.- Modern Art "She Loves You".
www.merello.com
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Art and the economical crisis (2012) In the Art world, particularly in the interpretation, actors and actresses tell that certain levels of anxiety and stress are able to awake in them the ability to concentrate and a transmission talent which they do not have in normal situations. And, what is the present time but a continuous state of turmoil and excitement? The art has been, fortunately or unfortunately, nurtured by many or all of the major episodes of human seizure; signs of this are the Picasso's Guernica or the Fusilamientos del 2 de Mayo from Goya. Would then be currently expected to flourish great works of art or even a new art movement? Movement that could result in two very different topics, one that would focus on criticism and look to the past aiming on the events and behaviors that have led us to the current economic crisis, and another that would extoll all that nourishes and gives the human a second opportunity to reorient their economic, social and political processes, as intelligence and generosity. ©P.M. Giménez "Abstract Painting and Surrealist Painting, apart from being essential and marvelous in themselves, these days also fulfill an invaluable pedagogical function for any artist. The have now become part of Classical Art and are the Artistic Heritage for Spiritual Learning and Artistic technique. They are like gymnastics for the unaware and for the eye, providing places where almost all feelings and spiritual emotions can be hatched to finally lead to build this immeasurable and grandiose thing we call THE ART of PAINTING." © José Manuel Merello "A good drawing cannot in any way be unfavorably compared with a good painting. It is more, beneath every picture is an essential underlying drawing that sustains it, a skeleton that mobilizes it and gives it form. Any painting lacking of this base crumbles and appears flimsy." © José Manuel Merello " The drawing does not remain defined by the line, not even the painting remains defined by the color. The painting is still saved, and this is partly what currently defines it, of being able to be assimilated and comprising in a monitor or a photo. On the other hand the drawing does really is asimilable by these means. Leaving aside fetishisms, it does not matter to me to have an original drawing or a photo or an identical poster of him. It is the same thing and the drawing can be enjoyed identically, as it happens despite of reading a good book in different editions, or seeing the same photo revealed for the second or tenth time. When it is not in game neither the fetishism nor the plasticity, all these supports take us to the nobility - or misery - of the work. But in painting the plasticity is always in game, the plasticity, the morbidity, the opaqueness or the transparence, the brilliant or dull surface... qualities that are impossible to be transmitted by means of a monitor of computer, a TV or a poster. The digital technique, far from ruining the arts, it only does to demonstrate the singularities of these other techniques, and the painting gains the garland due to currently it is impossible to enjoy completely The Meninas in an image, impossible to feel the powerful sensation of gap of the stay where Velázquez does, impossibly to perceive the pearly rind of the pictorial layer of the picture, useless to turned oneself and to see sideway to be able to feel the delicate nodes and stretch marks of the painting of the genius. And let's not say anything about pictures of Tàpies, or of Lucian Freud, or of Jasper Johns... The color and the disposition of the forms can suggest us very much, of course, but they remain far away, they are not enough to express the plasticity of the picture. This is the Painting." © José Manuel Merello " In painting and in drawing, technically speaking, things can be wrong done if they do not know how to make them correctly, but the bad made things must be "perfectly wrong made". This way the result will always be good. " (summer 2004) © José Manuel Merello "Art History is the emotional and spiritual History of humankind. It is a remembering of its most sublime feelings materialized in works of art that transcend time. Altamira and Lascaux are primitive examples of this human desire of expressing its emotions. In my opinion, there is not any artistic era superior to another one in its initial impetus to create a material proof of an emotion or a spiritual pleasure. On the other hand, I believe there have been art eras superior to others since the human being has improved its technique. In the same way that scientific progress always goes up, artistic progress, which needs technology to advance, evolves with an increasing trend. However, this evolution is not continuous, since it depends on two factors: technique and spiritual emotion. Art is not just a feeling. Art is the feeling being materialized, incarnated, sculpted, written with skill and technique. The cavemen had only a few tools at their reach; consequently their art is more primitive than Baroque Art, to give an example. The problem lies in the fact that technique and emotion do not always move along parallel lines. As a result, we can sometimes find art periods with a greater and purer emotional and spiritual impulse, even though they relied on inferior technique. On the other hand, we sometimes can find other periods with better means, in which the art is weaker due to the human soul was soured, repressed, or manipulated. When the human spirit undergoes a sublime and free period, accompanied by a superior technique, then we will refer to this period as a Golden Art Age." © José Manuel Merello
"Nowadays, Modern Art exudes a breath of fresh
air and freedom never before imaginable. Up till now, Art
History has never had such an array of possible techniques for
artists to choose from or such a variety of artistic languages
for artists to fully express themselves. All the different Art
schools and tendencies, favoritisms aside (even though they have
always been there), enjoy a great open field that promises
fabulous creations in the coming years.
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MODERN ART:21. PAINTING. ARTISTS.
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MODERN ART. PAINTERS 21ST CENTURY